Born in Bucharest, Romania, Dan Poenaru studied the piano at the George Enescu College of Arts in the Romanian capital with Ileana Tudor and Lydia Cristian. At the age of 15, he obtained the Special Jury Prize in the National Interpretation Contest for the execution of the concerto for piano and orchestra by Paul Constantinescu. He continued his musical studies at the Music Academy of Bucharest under the tutelage of Anna Pitis and Ioana Minei, distinguishing himself as an outstanding student.

Deciding to enter the world's great international piano competitions, he prepared the necessary repertoire to present himself at the seven most prestigious contests. Unfortunately the communist dictatorship which prevailed at the time in Romania made it impossible for the young pianist to obtain neither passport nor visa to go abroad: 'I found doors, but they were all without handles' he notes with regret.

However, one door opened during the summer of 1981. He flew to Switzerland to take part in the Clara Haskil competition, but regrettably arrived a few days too late!

With only $100 in his pocket, but determined not to turn back, he sought asylum in Geneva and acquired Swiss nationality a few years later.

He continued to perfect his skills with the Argentinean pianist Eduardo Vercelli, and prepared for the Diploma of Virtuosity at the Academy of Neuchâtel.

He began his international career as a soloist, with recitals in Switzerland, concerts in Germany (Rachmaninov's 3rd concerto), Russia and other Eastern European countries.

As an accomplished pianist, he was highly praised by the critics for his 'power, tenderness and sensitivity'.

His repertoire extends from Scarlatti to Samuel Barber, from the Baroque period to the mid 20th century. He harbours a particular affection for the romantic composers of the 19th century - Schubert, Schumann, Brahms, Chopin and Liszt.

His public interpretation of Brahms' two concertos for piano and orchestra on October 19th 2006, brought to life the tormented, romantic and at the same time, fragile and monumental world of the great German composer. The concert, recorded live on a double CD, was praised by both critics and music lovers.

Far from the stardom that prevails on the international musical scene, at a time when so many young pianists mask their lack of depth behind their brilliant technique, even a certain mannerism, Dan Poenaru plays with a natural reserve and humbleness. He manifests a particular dynamic and a unique fire that make his performances a powerful and memorable experience. The virtuosity that flows so easily from his fingers is, first and foremost, at the service of the music.